born in 1977 Bratislava, Slovakia
based in Oakland/Berkeley, California
Imbued with the aesthetics of Brutalism, processes of construction, life under restraint, and the geometric releases of nature, audiovisual artist Andrej Hrončo focuses with precision on sound and image with a geometric and spatial perspective. His ongoing work consists of examinations of generative algorithms, stochastic processes, lighting interaction, sonification of imaginary landscapes, and pattern recognition rooted in the concept of modulating perception through context.
Hrončo has written on various aspects of the Web MIDI and Web Audio APIs while working at Keith McMillen Instruments.